17 Games like Katana ZERO Soundtrack on PlayStation that you should try

What brings it close to Katana ZERO Soundtrack is deep RPG systems, melee combat and a sci-fi setting, and the two track each other on genre, combat and game mode. The common ground extends to single-player focus and 2D presentation. Where the two diverge is visuals: exploration and discovery, and Metroidvania exploration.

What brings it close to Katana ZERO Soundtrack is deep RPG systems, dark, oppressive atmosphere and melee combat, and the two track each other on genre, combat and game mode. Both also lean on single-player focus and 2D presentation. The distance is in setting and visuals — its own ground is fantasy world.

On paper it is what Katana ZERO Soundtrack is — deep RPG systems, strong narrative focus and melee combat — though the resemblance is mostly at that level. To that it adds single-player focus and 2D presentation. They part company on setting and tone: this one brings fantasy world.

Shelved next to Katana ZERO Soundtrack for good reason: deep RPG systems, melee combat and single-player focus. The common ground extends to 2D presentation. Where the two diverge is setting and visuals: fantasy world.

The thread back to Katana ZERO Soundtrack runs through deep RPG systems, single-player focus and 2D presentation.

It shares the essentials of what Katana ZERO Soundtrack does: deep RPG systems, strong narrative focus and melee combat. The common ground extends to a cyberpunk setting and single-player focus. Where the two diverge is combat: stealth mechanics.

On paper it is what Katana ZERO Soundtrack is — deep RPG systems, dark, oppressive atmosphere and melee combat — though the resemblance is mostly at that level. The common ground extends to single-player focus and 2D presentation. Where the two diverge is setting and visuals: horror setting.

Genre puts it alongside Katana ZERO Soundtrack, and so does deep RPG systems, strong narrative focus and melee combat. To that it adds single-player focus and 2D presentation. They part company on setting and tone: this one brings a casual, approachable feel and fantasy world.

Its point of contact with Katana ZERO Soundtrack is deep RPG systems, melee combat and single-player focus. Both also lean on 2D presentation. The distance is in visuals.

What brings it close to Katana ZERO Soundtrack is deep RPG systems, melee combat and single-player focus, and the two track each other on genre, combat and game mode. The common ground extends to pixel art. Where the two diverge is setting: fantasy world.

Shelved next to Katana ZERO Soundtrack for good reason: deep RPG systems, dark, oppressive atmosphere and melee combat. The common ground extends to single-player focus and 2D presentation. Where the two diverge is setting and tone: magic-based combat and horror setting.

The genre is the same as Katana ZERO Soundtrack’s, and with it deep RPG systems, melee combat and single-player focus. The common ground extends to 2D presentation. Where the two diverge is setting and combat: stealth mechanics and historical setting.

On paper it is what Katana ZERO Soundtrack is — deep RPG systems, dark, oppressive atmosphere and melee combat — though the resemblance is mostly at that level. The common ground extends to 2D presentation and single-player focus. Where the two diverge is setting and visuals: a cartoon aesthetic.

The genre is the same as Katana ZERO Soundtrack’s, and with it deep RPG systems, punishing difficulty and melee combat. To that it adds 2D presentation and a cyberpunk setting. They part company on visuals and tone: this one brings puzzle design and magic-based combat.

What carries over from Katana ZERO Soundtrack is deep RPG systems, melee combat and single-player focus. The common ground extends to 2D presentation. Where they diverge is visuals.