37 Melee games like Katana ZERO Soundtrack that you should try

If Katana ZERO Soundtrack worked for you because of deep RPG systems, strong narrative focus and melee combat, the same is here. The common ground extends to single-player focus and 2D presentation. Where the two diverge is setting: post-apocalyptic world.

What brings it close to Katana ZERO Soundtrack is deep RPG systems, melee combat and a sci-fi setting, and the two track each other on genre, combat and game mode. The common ground extends to single-player focus and 2D presentation. Where the two diverge is visuals: exploration and discovery, and Metroidvania exploration.

What brings it close to Katana ZERO Soundtrack is deep RPG systems, dark, oppressive atmosphere and melee combat, and the two track each other on genre, combat and game mode. Both also lean on single-player focus and 2D presentation. The distance is in setting and visuals — its own ground is fantasy world.

What brings it close to Katana ZERO Soundtrack is deep RPG systems, melee combat and single-player focus, and the two track each other on genre, combat and game mode. The common ground extends to 2D presentation.

It shares the essentials of what Katana ZERO Soundtrack does: deep RPG systems, strong narrative focus and melee combat. The common ground extends to a cyberpunk setting and single-player focus. Where the two diverge is combat: stealth mechanics.

Same family as Katana ZERO Soundtrack: deep RPG systems, strong narrative focus and melee combat. To that it adds single-player focus and 2D presentation. They part company on setting and tone: this one brings a mythological setting.

On paper it is what Katana ZERO Soundtrack is — deep RPG systems, strong narrative focus and melee combat — though the resemblance is mostly at that level. To that it adds single-player focus and 2D presentation. They part company on setting and tone: this one brings fantasy world.

Shelved next to Katana ZERO Soundtrack for good reason: deep RPG systems, melee combat and single-player focus. The common ground extends to 2D presentation. Where the two diverge is setting and visuals: fantasy world.

On paper it is what Katana ZERO Soundtrack is — deep RPG systems, dark, oppressive atmosphere and melee combat — though the resemblance is mostly at that level. The common ground extends to single-player focus and 2D presentation. Where the two diverge is setting and visuals: horror setting.

Genre puts it alongside Katana ZERO Soundtrack, and so does deep RPG systems, strong narrative focus and melee combat. To that it adds single-player focus and 2D presentation. They part company on setting and tone: this one brings a casual, approachable feel and fantasy world.

Held in common with Katana ZERO Soundtrack: deep RPG systems, melee combat and single-player focus. The common ground extends to 2D presentation. Where they diverge is visuals.

Its point of contact with Katana ZERO Soundtrack is deep RPG systems, melee combat and single-player focus. Both also lean on 2D presentation. The distance is in visuals.

What brings it close to Katana ZERO Soundtrack is deep RPG systems, melee combat and single-player focus, and the two track each other on genre, combat and game mode. The common ground extends to pixel art. Where the two diverge is setting: fantasy world.

Genre puts it alongside Katana ZERO Soundtrack, and so does deep RPG systems, melee combat and a sci-fi setting. Both also lean on single-player focus and 2D presentation. The distance is in game mode and visuals — its own ground is multiplayer gameplay.

Its point of contact with Katana ZERO Soundtrack is deep RPG systems, melee combat and single-player focus. The common ground extends to 2D presentation. Where the two diverge is visuals: magic-based combat.