20 Games like ULTRAKILL on Xbox that you should try

What brings it close to ULTRAKILL is deep RPG systems, punishing difficulty and melee combat, and the two track each other on combat, game mode and visuals. The common ground extends to a first-person view and a cyberpunk setting. It sets itself apart with adventure storytelling and dark, oppressive atmosphere.

With ULTRAKILL it shares ranged combat, a cyberpunk setting and single-player focus. Both also lean on a first-person view. The distance is in tone — its own ground is strong narrative focus.

With ULTRAKILL it shares ranged combat, post-apocalyptic world and single-player focus. To that it adds a first-person view. They part company on tone: this one brings strong narrative focus.

The genre is the same as ULTRAKILL’s, and with it melee combat, post-apocalyptic world and single-player focus. The common ground extends to a first-person view. Where the two diverge is tone and setting: strong narrative focus and historical setting.

Genre puts it alongside ULTRAKILL, and so does punishing difficulty, melee combat and a sci-fi setting. The common ground extends to a first-person view and single-player focus. Where the two diverge is setting and combat: dark, oppressive atmosphere.

On paper it is what ULTRAKILL is — melee combat, a cyberpunk setting and single-player focus — though the resemblance is mostly at that level. The common ground extends to a first-person view. Where the two diverge is tone and combat: strong narrative focus.

Same family as ULTRAKILL: melee combat, a sci-fi setting and single-player focus. Both also lean on a first-person view. The distance is in tone and combat — its own ground is strong narrative focus and horror setting.

Shelved next to ULTRAKILL for good reason: melee combat, a sci-fi setting and single-player focus. Both also lean on a first-person view. The distance is in tone and setting — its own ground is strong narrative focus and a space setting.

On paper it is what ULTRAKILL is — melee combat, a sci-fi setting and single-player focus — though the resemblance is mostly at that level. The common ground extends to a first-person view. Where the two diverge is tone and setting: strong narrative focus and a space setting.

Shelved next to ULTRAKILL for good reason: melee combat, a cyberpunk setting and single-player focus. To that it adds a first-person view. They part company on tone and combat: this one brings strong narrative focus and stealth mechanics.

What carries over from ULTRAKILL is deep RPG systems, punishing difficulty and ranged combat. The common ground extends to fantasy world and single-player focus. Where the two diverge is visuals and setting: an anime aesthetic and 2D presentation.

Shelved next to ULTRAKILL for good reason: punishing difficulty, melee combat and a sci-fi setting. The common ground extends to single-player focus and a first-person view. Where the two diverge is game mode and setting: a space setting and multiplayer gameplay.

What carries over from ULTRAKILL is deep RPG systems, punishing difficulty and melee combat. To that it adds single-player focus. They part company on visuals and tone: this one brings dark, oppressive atmosphere and a third-person camera.

Genre puts it alongside ULTRAKILL, and so does melee combat, single-player focus and a first-person view. Where the two diverge is tone and setting: strong narrative focus and stealth mechanics.

On paper it is what ULTRAKILL is — melee combat, single-player focus and a first-person view — though the resemblance is mostly at that level. They part company on tone and setting: this one brings strong narrative focus and stealth mechanics.