50 Games like RAGE that you should try

It shares the essentials of what RAGE does: strong narrative focus, open world exploration and melee combat. Both also lean on a first-person view and single-player focus. What it adds of its own: sandbox freedom and stealth mechanics.

It shares the essentials of what RAGE does: strong narrative focus, open world exploration and melee combat. To that it adds exploration and discovery, and multiplayer gameplay. They part company on progression: this one brings loot and gear systems.

What brings it close to RAGE is dark, oppressive atmosphere, open world exploration and melee combat, and the two track each other on genre, game mode and tone. The common ground extends to exploration and discovery, and co-op play. Where the two diverge is setting and combat: survival mechanics.

On paper it is what RAGE is — dark, oppressive atmosphere, open world exploration and melee combat — though the resemblance is mostly at that level. To that it adds exploration and discovery, and a first-person view. They part company on setting and progression: this one brings crafting mechanics.

What brings it close to RAGE is strong narrative focus, open world exploration and melee combat, and the two track each other on genre, combat and game mode. The common ground extends to exploration and discovery, and multiplayer gameplay. Where the two diverge is visuals: third-person shooting and a sandbox world.

It shares the essentials of what RAGE does: strong narrative focus, open world exploration and melee combat. Both also lean on exploration and discovery, and multiplayer gameplay. The distance is in visuals and game mode — its own ground is a sandbox world.

If RAGE worked for you because of strong narrative focus, open world exploration and melee combat, the same is here. To that it adds a first-person view and post-apocalyptic world. They part company on combat and game mode: this one brings stealth mechanics.

What brings it close to RAGE is dark, oppressive atmosphere, open world exploration and melee combat, and the two track each other on genre, tone and world. Both also lean on exploration and discovery, and single-player focus. The distance is in setting and visuals — its own ground is an isometric view.

Genre puts it alongside RAGE, and so does strong narrative focus, open world exploration and melee combat. To that it adds exploration and discovery, and co-op play. They part company on progression and tone: this one brings loot and gear systems, and a sandbox world.

Shelved next to RAGE for good reason: dark, oppressive atmosphere, open world exploration and melee combat. To that it adds exploration and discovery, and multiplayer gameplay. They part company on progression and combat: this one brings skill tree progression.

Genre puts it alongside RAGE, and so does strong narrative focus, open world exploration and melee combat. Both also lean on exploration and discovery, and co-op play. The distance is in combat and tone — its own ground is stealth mechanics.

Shelved next to RAGE for good reason: strong narrative focus, open world exploration and melee combat. Both also lean on exploration and discovery, and a first-person view. The distance is in progression and combat — its own ground is a sandbox world and base building.

If RAGE worked for you because of strong narrative focus, open world exploration and melee combat, the same is here. The common ground extends to horror setting and single-player focus. Where the two diverge is setting and game mode: fantasy world.

What brings it close to RAGE is dark, oppressive atmosphere, open world exploration and melee combat, and the two track each other on genre, tone and world. Both also lean on a sci-fi setting and single-player focus. The distance is in setting and combat — its own ground is third-person shooting and offline play.

If RAGE worked for you because of strong narrative focus, open world exploration and melee combat, the same is here. Both also lean on exploration and discovery, and single-player focus. The distance is in combat and setting — its own ground is third-person shooting.